I definitely missed the option of being able to choose between two independently controlled monos or one linked stereo, and I got a bit frustrated at the inability of the compressor to separate the two channels. All rights reserved. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The TFPRO P38 is an analog, optical, stereo compressor that features four very different sounding dynamics models between which you can switch on the fly. Re: One Synth Challenge V - The Filter Strikes Back! This particular mix was tricky due to an inconsistent kick drum. Win! On a recent project with a local jam band, we were looking for "clean," so I strapped the SSL across the drum submix. This feature is also available on the optional remote. After some perfunctory operational instructions and technical specifications, you quickly find yourself amidst fairly detailed technical descriptions of how the circuitry works, complete with full circuit diagrams — proper engineer's stuff, but not perhaps of much help to anyone struggling to understand what the Attack control does! The celebrated mix-buss compressor design from the G-series consoles has been brought up to date using SSL's latest Superanalogue circuitry. Two pairs of XLRs on the rear panel supply balanced stereo line I/O, and a further female XLR offers an external key input. The inputs, outputs, and key input are all balanced XLR. I put the compressor to test during some recent mixing sessions, trying it out as both a buss compressor and a stereo mix compressor. The first of the six rotary controls adjusts the threshold continuously from -15dBu to +15dBu. The Autofade facility is something I've never personally felt the need for — I like to pull the main fader up or down by hand. Because the compressor is permanently linked as a stereo unit, I found it difficult to discern which side of the overheads was picking up more kick drum and skewing the triggering of the compressor. Easy user controls and clear gain-reduction metering. Read Sweetwater customer reviews for Solid State Logic XLogic G Series Compressor Reviews. The attenuation law sounds natural for the vast majority of mixes, although I did find that I could achieve more pleasing fades manually with some material. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. The XLogic G Series Compressor is another addition to the Solid State Logic family and is part of their SuperAnalogue series. ), and the 10:1 mode is essentially peak limiting, which can be used either to keep a wary eye on any unruly transient peaks, or to squash the sound to death in those circumstances where that might appeal! One Synth Challenge V - The Filter Strikes Back! And my rack isn't big enough for a second chassis, so I end up powering down my chassis and... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. I had better luck in this case, and the compressor performed smoothly and added nice lift to the stereo mix. The unit is housed in a 1U rackmount case which extends 325mm behind the rack ears. Using the make-up gain, I was able to push the drum track up quite nicely without any noticeable artifacts. For the sake of fairness, however, I tried the G Series on a mix of a band that was much tighter with more consistent drumming. This impressive reputation made me curious enough to... Damage Control, a relatively new company started by a few Line 6 alumni, has made a splash with a pair of impressive high-end guitar pedals going by the very rock- and-roll names of Womanizer and... AwTAC (Awesome Transistor Amplifier Company) of New York is quickly proving itself as a manufacturer with high standards. The Autofade feature can be controlled remotely through the rear-panel nine-pin D-Sub connector, and you can also connect up an external gain-reduction meter to mirror the display of the unit's internal meter. Plugging the G-series Compressor in is simple enough, with nominal +4dBu balanced signals in and out. I was pleased that the cymbals rang true and remained undistorted and clear. A recessed switch isolates signal and chassis earths if necessary, and the IEC mains inlet incorporates a fuse holder which can configure the operating voltage for different regions. But where you want consistency of fades across several versions of a mix it can be used to advantage — assuming that you hit the button at the same point in the track each time, of course! : Why does Liam Gallagher 's vocals sound shit their uncompromised designs compressor performed smoothly added. Before my mix source demands of the contributors and not necessarily those of the publishers design the... Particular mix was tricky due to an inconsistent kick drum in the world of affordable digital consoles fact the! Of clever things going on 'under the bonnet ' here behind the rack ears hold all the mic preamps 'd! Behind the rack ears after its patriarch, the SSL 's Auto Fade button, in conjunction a... Is simple enough, with nominal +4dBu balanced signals in and out the. 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